Dislocation features landscapes that lack geographic and temporal specificity. Where are these places? Are these landscapes of the past, the future, or do they foreshadow a future past? One photograph, for instance, depicts a jetliner behind a stand of trees. It is not clear whether the jetliner is about to crash, or crashed years ago and sits in the landscape as a leftover relic of a previous era. In another image, a transport trailer is parked in a bucolic landscape. On closer inspection, the scenery surrounding the trailer looks eerily like the milk advertisement on its side. The work thus situates itself outside of time and place, generating a sense of déjà vu, doubt, and anxiety.
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Transmission
Digital C-print, 2010
30.75″ x 72″ (78.1 cm x 182.9 cm)
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Screen
Digital C-print, 2010
30.75″ x 72″ (78.1 cm x 182.9 cm)
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Flight Path
Digital C-print, 2010
40″ x 50″ (101.5 cm x 127 cm)
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End of the Line
Digital C-print, 2010
40″ x 50″ (101.5 cm x 127 cm)
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Fire Hall
Digital C-print, 2010
40″ x 50″ (101.5 cm x 127 cm)
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Hold Out
Digital C-print, 2010
40″ x 50″ (101.5 cm x 127 cm)
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Human Kindness
Digital C-print, 2010
40″ x 50″ (101.5 cm x 127 cm)
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Heist
Digital C-print, 2010
40″ x 55″ (101.5 cm x 140 cm)
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Display
Digital C-print, 2010
40″ x 50″ (101.5 cm x 127 cm)
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Lake Bed
Digital C-print, 2010
40″ x 52″ (101.5 cm x 132 cm)
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